Home Concepts Adult Development Setting the Stage and Generativity One

Setting the Stage and Generativity One

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Should I/We Start a Major Project?

Many of the people we interviewed for the enduring, intimate relationship project faced the issue of whether to have children, as well as beginning a project that represented something of great value to one or both of them. Such projects can take many forms, ranging from raising animals to mounting a major corporate venture. Regardless of the breadth or depth of the commitment, a project becomes an important source of generativity for people and often helps to define the distinctive character of the individual. In addition. it provides the individual with something to hold on to when the going gets tough.

Collaborative Generativity: Take Larry and Harold, who exemplify a heightened commitment to a specific project: building a home. A couple for six and one-half years, Larry and Harold had similar careers that led directly to their mutual project. Larry was a thirty-four-year-old architect, while Harold was thirty-one and was a successful retail designer/architect. Their commitment to building a beautiful home was widely known and admired in their local community. It was a spectacular home in terms of both design and detail, and it contained the backbone of the rich story of Larry and Harold’s relationship from its earliest development.

In arriving at their home, the interviewer walked through the corridor of a large apartment building and into a garden. Tucked away behind a cluster of tall apartment houses, Larry and Harold’s cottage stood out in stark contrast against its urban environment. As their story unfolded, it was clear that the detailing was a blend of both their personalities and characters. Harold’s diverse artwork, which ranged from oil paintings to ceramic sculptures, was displayed in the living room.

The clean, sharp detail of the structure and the modern leather sofa was a touch of Larry. The old, stuffed chairs sharply contrasted with the newness of the sofa and were indicative of Harold. Downstairs there were two bedrooms with a veranda connecting them. A hot tub was hidden in the corner, overlooking the garden in back. Beyond the garden, the cityscape rose in full view. The second floor consisted of a carefully designed kitchen with a dining area connecting to it. Behind this was a large, yet cozy, living room, with a fireplace and high ceiling. Both Larry and Harold’s art were displayed in this room. On the bookshelves were photos and books, representing their separate lives and their life together as a couple.

In this brief vignette, the interviewer insightfully captured the essence of generativity in both members of this couple. They both loved to host other people and demonstrate their shared commitment and expertise in providing a richly sensuous environment in which to live and work. They had created “the good life” by surrounding themselves with their own artwork and architectural design, and by creating an environment that reflected their common tastes as well as the individual tastes.

Heritage-Based Generativity: Much as a shared interest in architecture, design and visual beauty provided the basis for Larry and Harold’s mutual project, music and a love of Poland kept Mick fully engaged (and generative) during the past twenty years. As a defector from Poland during the late nineteen seventies, Mick had a deep, abiding interest in the culture and political liberation of Poland. Having been raised by first generation Polish parents, Mick began to played together with his wife at House of Poland events, and they sang together during evenings in their home where Mick had built a recording studio. Generativity One has merged with Generativity Three.

Mick produced his own recordings and gave or sold them at their performances. Their songs were all written by Mick, while Sheila assisted with vocal arrangements. They loved being able to perform in their own home studio because their home itself had taken on special significance for them. They had bought their home five years ago, and it was in miserable condition. They renovated the house themselves and built their studio into their home. Their interviewer noted that every detail of their home reflected their unique tastes and their love for one another and their music. Mick worries a great deal about future prospects for the performing and recording of Polish music. He hopes someday soon to be able to travel back to his beloved Poland.

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